George Clinton, P-Funk frontman turned 80 this week. For a while it was two bands - Parliament and Funkadelic, or maybe two facets of the same group. Funkadelic - and Parliament on their first album, Osmium (1970)  -  played a looser, rock-based, ragged, funky soul. Parliament, from 1974 on played a tighter, straight, polished funk. What follows here, is a selection from the early Funkadelic albums on Westbound. I put it together some years ago while looking for songs that reminded me of peak period Sly and the Family Stone. There really isn't much out there that sounds like this.  Missing are some of the songs with the nastier lyrics. That way I can maybe get away with playing it while Wife is in the car without having to answer the question: Honey...what are we listening to? There are a few albums that are missing from the streaming service. The first, Osmium,  was released in July of 1970. It sounds a lot like Funkadelic  and Free Your Mind ...And Your Ass Wi...

He was a great guitarist, so here's a playlist of Prince's guitar-based stuff. We won't include the stuff from before he got....um....weird. His jazz work is great, but let's limit this to rock and pop. Oh, and funk, but the raw stuff that reminds one of Funkadelic rather than the slicker stuff that plays like Parliament. Let's also cut out the power ballads, or, at least, most of them....we'll leave those for Aerosmith or somebody to cover on a tribute album.

Which is not to say, Workin', nor -again- is it with his quartet. Instead, we have largely the same players as featured in last week's Chillin' post. Most of Miles's studio output from the period 1970-1974 comes from a series of sessions - Bitches Brew , Jack Johnson , Cellar Door (Live Evil) , and On the Corner - that largely ended by mid '72. In addition to the main albums that came from each session, the albums Live Evil , Big Fun and Get Up With It were also compiled from the sessions. With regard to his fusion period, the story goes that Miles was impressed with a Sly and the Family Stone show and tried to incorporate those sounds into his music. These tracks are in line with that story. We have here the gritty funk of There's a Riot Goin' On rather than the slick sounds of Fresh . It's a sound like early Funkadelic more than Parliament.... ...and the On the Corner outtakes somehow catch the vibe of the cover more than that album did.

Which is not to say, Relaxin'....nor with his quintet. On this day in 1969, Miles Davis released his first fusion album, In a Silent Way.  He'd started to go electric the previous year, on initially on Miles in the Sky and more so on Filles de Kilimanjaro. While it has some grooves and uptempo material, Silent Way is a fairly quiet album that doesn't feature any of the more jarring work that one finds on Bitches Brew , Live Evil , On the Corner or Get Up With It , nor does it rock like Jack Johnson . Today's playlist features the mellow cuts from Miles during 1969-1975 his early fusion period. The complete sessions boxed sets (Silent Way, BB, JJ, Corner) from allow for the undoing of some of Teo Macero's edits. For instance, "Orange Lady", with its sitars and tablas can be disaggregated from "Great Expectations" off of  Big Fun . Likewise, the blues vamp from the middle of "Go Ahead John" can stand on its own, although it s...